As air services developed and Japan become more accessible, the number of visitors from Britain increased. One of these early visitors was composer Benjamin Britten.

Cosmopolitan novelist and writer Frank Tuohy (1925-99) lived in several different countries, but it was in Japan that he spent the longest time. This essay offers an account of his life there, as well as his own reflections on Japan and the impact the country had on his fiction.

This essay charts the literary and translation efforts of Honma Hisao (1886-1981), particularly in regard to Oscar Wilde; how he looked outward at English literature, inward at Meiji era literature and then combined the two in the comparative study of world literature.

This potrait of poet and playwrite James Cousins (1873-1956) considers his little known, but nonetheless well-documented, visit to Japan.

This portrait provides an insight into the role of writer, director and impressario Kazuo Kikuta (1908-1973) in the Japanese commercial theatre industry, to which he introduced numerous West End and Broadway shows.

Along with Murakami Haruki, Ninagawa Yukio (1935) is perhaps the most famous of Japanese cultural figures in Britain. This portrait examines Ninagawa's international career as a director and in particular his staging of Shakespeare.

The Royal Ballet and top ballet dancers from Britain have been frequent visitors to Japan since the late 1950s.

Following a period of study in Britain and Germany, Shimamura Hōgetsu (1871-1918) pioneered the introduction of Western drama and theatre (shingeki) to Japan. This essay details his srtuggles and successes.

Despite there being very little of Japan in Somerset Maugham's (1874-1965) writings, he spent much time there and gained much popularity among the Japanese. This essay offers an account and analysis of Maugham's time in Japan.

Poet Stephen Spender was in Japan in 1958, and recalls his experiences of noh and Hokkaido.

In his brief life and literary career Kōri Torahiko (1890-1924) had many dealings with Britain and its literary scene. This portrait charts his interactions as a Japanese writer with the culture of Britain and its literature.

This portrait considers the contribution of Japanese translators of Shakespeare (Fukuda Tsuneari, Odajima Yushi and Anzai Tetsuo) to its appreciation in Japan, and to Shakespearian scholarship in Japan and beyond.