This essay details David Lean's interactions with Japan as a filmmaker through his two film projects The Wind Cannot Read and The Bridge on the River Kwai.

Kawakita Nagamasa (1903-1981) and his wife Kawakita Kashiko (1908-1993) drove Anglo-Japanese cinematic exchange in the mid to late 20th century, ensuring that high-quality British and Japanese films found new audiences.

Mitsui & Co. Ltd was given the responsibility of managing the collection and export of rice to China and Europe. This essay details its growth and success in the City of London.

Along with Murakami Haruki, Ninagawa Yukio (1935) is perhaps the most famous of Japanese cultural figures in Britain. This portrait examines Ninagawa's international career as a director and in particular his staging of Shakespeare.

Following a period of study in Britain and Germany, Shimamura Hōgetsu (1871-1918) pioneered the introduction of Western drama and theatre (shingeki) to Japan. This essay details his srtuggles and successes.

This essay considers two important managers of the Nippon Yūsen Kaisha, and how they devoted their lives to developing Japanese nautical facilities and education for the merchant marine and navy.

In his brief life and literary career Kōri Torahiko (1890-1924) had many dealings with Britain and its literary scene. This portrait charts his interactions as a Japanese writer with the culture of Britain and its literature.

The history of the Yokohama Specie Bank in London provides a useful window into Japan's pre-war efforts to establish herself as a first-rate modernized empire. This essay considers how the bank reflects Japan's bold strides into the financial centre of the world, London.